Figurative Objekte/ Figurative Objects
2013 - Dato
Since the beginning of mankind`s cultural development objects got created to support okulter magical, religious or sexual forces.
As objects in the context of Outsider Art, they are the three-dimensional images of mental distortions that often seem more impressive than paintings or drawings
I try to build on the tradition of the "magic charge" of objects and bring style elements and the wild rebellious spirit of Urban Art together with design methods and topics of the Outsider Art. Colors, forms and titles hereby rely on the shrill daily media world as well as urban lifestyle and thus symbolize the everyday madness that can no longer be seen in just the creator of the work.
As objects in the context of Outsider Art, they are the three-dimensional images of mental distortions that often seem more impressive than paintings or drawings
I try to build on the tradition of the "magic charge" of objects and bring style elements and the wild rebellious spirit of Urban Art together with design methods and topics of the Outsider Art. Colors, forms and titles hereby rely on the shrill daily media world as well as urban lifestyle and thus symbolize the everyday madness that can no longer be seen in just the creator of the work.
Grafische Objekte/Graphic Objects
2013 - dato
Though the graphic objects do not look quite naive themselfes they get created in a playful ill-conceived way, combarible to a child`s play with its cubes.
It is fascinating that one can create something aesthetic without needing to reflect traditional theories on colour composition or form. So these graphical objects are a kind of a hidden and quiet rebellion within the field of art by overtaking classical compository elements without taking the concepts behind it too seriously. It can be seen as the attempt to find back to the child`s handling with colour and form.
As I use vintage parts of wood these objects are pieces of upcycling art.
It is fascinating that one can create something aesthetic without needing to reflect traditional theories on colour composition or form. So these graphical objects are a kind of a hidden and quiet rebellion within the field of art by overtaking classical compository elements without taking the concepts behind it too seriously. It can be seen as the attempt to find back to the child`s handling with colour and form.
As I use vintage parts of wood these objects are pieces of upcycling art.